SEMINAR DESCRIPTION

This course will surface the ways in which LGBTQ+ people and communities have impacted the ways in which mainstream American culture has been shaped by cultural production derived from thinking that challenges heteronormativity in post-World War II America until the validation of same sex marriage in 2014 Through the lenses of queer theory, evolving queer history, Since the emergence of “homosexuality” and “transsexuality” as identities in the late 19th century, queer culture has been presumed to develop in the margins of American life, ancillary to and shaped by heterosexual norms. Yet, the vast majority of queer people in the last hundred years have lived (to at least some degree) in the closet, allowing them to exist in the mainstream while maintaining a distinctly non-normative identity. Thus, to quote bell hooks, allowing them "to bring the margin into the center." In 15 meetings over the course of the semester, through lectures, discussions, texts, slides, films and video, we will explore the ways in which transformative integration of queer designs for living have occurred. Highlighting pivotal events and shifts in American cultural, political, and creative history this course will provide food for thought about the ways in queerness is integral to American notions of progress and freedom.

Tuesday, February 20, 2024

Final Idea

 Japanese media has always represented queer folk in such a unique way. Currently, gay marriage is illegal in Japan. While being queer isn’t necessarily illegal, it is improbable you’ll see a queer couple out in the open in public. Many queer folks were or are still being used as punchlines in Japanese media as a result and either being seen as nothing but a pervert or just an overall and unnatural creep. Japanese people aren’t hostile to queer folk but aren’t the most accepting of it either. Many people’s perspectives have been slowly changing these past couple of years. Japan as a country, is fairly queer-friendly with many gay bars, queer hang-outs, and pride parades.

“Boy’s Love” and “Girl’s Love” media are especially well-known.  Just as the name implies, it is media of men or two women who are sexually and/or romantically interested in each other. However, most often these media cater to those who fetishize queer folk. Not to say that this is always the case since a lot of queer folks create this queer content. Although, no matter who the original demographic is, content that is inherently queer, will also attract a queer audience. Despite some weird representations, LBTQ communities still enjoy these stories, having something to connect to.

There are often when, in the case, a queer couple does publicly show affection, they’ll be reduced to nothing but caricatures to others. In one such case, a man held hands with his boyfriend and was the subject of gossiping and squealing. (As “Boy’s Love” media is popular with the Japanese female audience.) They were treated like in-real-life characters of a fictional romance.

There is a lot to explore with this topic and how queer Japanese media has influenced Japanese people’s views on the queer community.

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Erika Bauer - Final Project

 Link to my final project https://docs.google.com/presentation/d/10M3X31MtgSnCAicMzf6pDhINFAjSNRaGX8BJnh3_9Eg/edit