SEMINAR DESCRIPTION

This course will surface the ways in which LGBTQ+ people and communities have impacted the ways in which mainstream American culture has been shaped by cultural production derived from thinking that challenges heteronormativity in post-World War II America until the validation of same sex marriage in 2014 Through the lenses of queer theory, evolving queer history, Since the emergence of “homosexuality” and “transsexuality” as identities in the late 19th century, queer culture has been presumed to develop in the margins of American life, ancillary to and shaped by heterosexual norms. Yet, the vast majority of queer people in the last hundred years have lived (to at least some degree) in the closet, allowing them to exist in the mainstream while maintaining a distinctly non-normative identity. Thus, to quote bell hooks, allowing them "to bring the margin into the center." In 15 meetings over the course of the semester, through lectures, discussions, texts, slides, films and video, we will explore the ways in which transformative integration of queer designs for living have occurred. Highlighting pivotal events and shifts in American cultural, political, and creative history this course will provide food for thought about the ways in queerness is integral to American notions of progress and freedom.

Thursday, February 22, 2024

Sam U. February 16, 2024 “Food for Thought: Thinking about Warhol: Posted by Sam Uroza”

 Warhol had a big influence in the Pop Art movement that it was able to find its way into the fashion industry and change it forever. Through his fascination with the topic of consumerism and celebrity idols, he created pieces such as “Campbell’s Soup Cans'' and portraits such as of “Marilyn Monroe'' that managed to look so unique and colorful that it inspired many fashion designers to adopt his techniques into their own creations. It made the fashion industry take a step back and re-evaluate exactly what they were creating. Warhol’s colorful pieces quite literally “popped” out to the eye, which is what the fashion industry wished to achieve with their own products to look appealing to the public. His ideas were then seen on catwalks with industries like Calvin Klein and Versacce, holding events where they display Warhol's pieces on several pieces of clothing. A couple of examples includes his “Campbell’s Soup Cans” painting being made into a dress by fashion designer Jean-Charles de Castlebajacs and his “Marilyn Monroe” painting being made into a gown by Naomi Campbell. 

Naomi Campbell / Versace Marylin Monroe Dress / 1991 Spring Summer ...

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Erika Bauer - Final Project

 Link to my final project https://docs.google.com/presentation/d/10M3X31MtgSnCAicMzf6pDhINFAjSNRaGX8BJnh3_9Eg/edit